DANIEL WEBBER III MOVIE

There are so many moments, it’s such a beautiful life as an actor, being on the road, seeing different countries, meeting new people and diving into new worlds. Has there been a stand-out moment?ĭW: I feel like I’m still growing and I’ve still got so much to learn, as a person and hopefully as an actor. But I’m curious about everything and as soon as one world opens up to you, you might not have had any interest in it at the start or known anything about it, but by the end you’re the biggest fan.ĮJ: As you said, your career has been so varied. I grew up as a gymnast and competed globally, so anything where I can get my whole body involved I’m there a hundred percent.

I do love Billy the Kid because we get into the action world and we get on horses, I thrive on that because I’m a very physical person. I’ve really enjoyed the banquet of opportunities I’ve had with characters and roles, I would never have anticipated it. So you grow up in that culture and it is very naturalistic, very real, honest cinema and that’s the path you see before you.ĮJ: As an actor what kind of stories or roles excite you? Is there something you always look for?ĭW: They’re all so different, my career has been so varied. There’s also a lot of stuff surrounding the darker gang world, you grow up watching people like Russell Crowe in Romper Stomper, or Heath Ledger in Ned Kelly, or Cate Blanchett in Little Fish, and Eric Bana in Choppers – that could be one of the best Australian performances. We don’t often have an option for big sci-fi fantasy stuff, we do a lot of kitchen sink drama here – we do it really well. I think you convince yourself you have to prove yourself when you’re coming into the business, especially in Australia. As I’ve gotten older I’ve started to enjoy more of those genre pieces again, fantasy and sci-fi. I was obsessed with a Spanish film called Biutiful – films that were very realistic in some way, and very human. It was around nineteen or so when I was like, “I think I want to figure out how the hell I get into this crazy business of acting.”ĮJ: The penny dropped and you thought, “Wait, that could be me!”ĭW: Yeah! It’s interesting I grew up on those sci-fi fantasies but I went on a very cinéma vérité naturalistic bent for the longest time.

Those moments are probably the clearest, I remember my imagination just going into overdrive.

DANIEL WEBBER III MOVIE

My family is very active and we were actually hiking through New Zealand for about four weeks when the movie came out so we were in the same landscapes, camping and exploring. As I got older I really started to enjoy fantasies, I think I was around fourteen or fifteen when Lord of the Rings came out. I didn’t really have any interest in cinema or acting until I was out of school.

I must have watched the first in the trilogy a thousand times as a kid, it was that point when my imagination just exploded. For Webber, who grew up riding horses, hiking across scenic New Zealand landscapes, and as a competitive gymnast, the Wild West life was a natural progression – although he’d prefer Middle-earth.Įlla Joyce: In the formative years of your career were there any films or actors in particular that sparked your interest in cinema?ĭaniel Webber: I didn’t want to be an actor, I didn’t even understand this was a job at that point, but I was captivated by Star Wars. His latest role sees him take on gang leader of the Old West Jesse Evans in Michael Hirst’s latest period drama Billy the Kid, chronicling the life of the frontier outlaw from his youth up until his notorious reputation got the better of him aged just twenty-one. In Webber’s own words, it’s a repertoire that’s offered a “banquet of opportunities… I would never have anticipated it Then came another – albeit very different – real person role: Mötley Crüe’s wild frontman Vince Neil in Jeff Tremaine’s The Dirt, followed by a star turn alongside Daniel Radcliffe in Escape from Pretoria. Australian actor Daniel Webber’s first major role was playing Lee Harvey Oswald in a mini-series adaptation of Stephen King’s 11.23.66, which sees a time traveller attempt to stop the assassination of John F.

Daniel webber iii